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Feedback For Eleanor Greene’s WritingTV workshop last weekend
9 November 2026 · 3 min read
Last weekend at Ealing Studios, we ran Eleanor Green’s writing TV workshop to an enthusiastic and packed audience.
Feedback for Eleanor is always extremely positive, but on this occasion, we received 100% five-star feedback!
If you want to come to the next one, dates are now set, and you can grab your tickets below. Here’s the feedback, and watch the video
Feedback for Eleanor from WritingTV Oct ’26
Feedback for Eleanor from WritingTV Oct '26
‘Eleanor kept me on the edge of my seat for the whole two days. Immensely informative, entertaining and brilliant!’
Carolin Färber // Screenwriter
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‘Eleanor is the real deal. Fabulous experience and knowledge of the industry. A great course, worth every penny!’
Susie MacLelland // Screenwriter
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‘The best weekend I’ve had for yonks! Eleanor was great fun, super knowledgeable and full of stories about the business.’
Mink Elliott // Screenwriter
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‘Eleanor is a delight to listen to. She knows her stuff and inspires you to level up your writing.’
Peter Sällström // Screenwriter
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‘I gained real insight into how to pitch and develop my projects. I’m excited to take what I’ve learnt forward and make some great TV!’
Macadie Amoroso // Screenwriter, Producer and Director
⭐⭐⭐⭐⭐
‘Easily digestible and showed us how to develop a series effectively. Eleanor’s knowledge and personal approach made it a great learning environment.’
Nicola Gaughan // Screenwriter
⭐⭐⭐⭐⭐
‘A brilliant, inspiring workshop. I learnt so much about the industry. Eleanor Greene is simply amazing!’
Donna Taylor // Screenwriter
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‘Eleanor is a master at her profession and an absolute gem of a human. She really cares about creating great stories and helping you get there.’
Maddie Stewart // Screenwriter
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‘Covered all the bases and run by true professionals. Top marks across the board!’
Julian Raymond // Screenwriter
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‘Industry insights that only an insider could deliver. Very useful for understanding where our projects could fit into the TV world.’
Greg Wong // Screenwriter and Producer
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‘So knowledgeable yet down to earth. A fantastic teacher and lovely person. I loved the energy, practical exercises and pitching.’
Jemel Richards // Screenwriter
⭐⭐⭐⭐⭐
‘This course helps polish out the blemishes and makes you see things from different perspectives. Eleanor’s knowledge is profound.’
Ross Joseph // Screenwriter
⭐⭐⭐⭐⭐
‘Authoritative, helpful and exciting, with new techniques and great stories. Eleanor was magical!’
John Carter // Screenwriter
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‘Very knowledgeable, with real-life examples I loved. Eleanor made the room feel cosy and kept things light-hearted.’
Suha Al Khalifa // Screenwriter
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‘Eleanor’s inclusive, approachable teaching encouraged me to come out of my shell. I gained insight into the industry and how to refine an idea.’
Deborah Ndjerareou // Screenwriter
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‘I loved how the course brought together the creative side of TV development with an insight into how the industry actually works. It was eye-opening to explore what makes a great story, how to approach characters and plots, and how to develop stories from scratch, alongside the realities of getting programmes made. Chris added another dimension with his stories, sharing incredible insights and wisdom, and his ability to connect mindset and motivation to real-life application in a way that was inspiring, concise and full of actionable advice.’
Agata Gawlik // Screenwriter
⭐⭐⭐⭐⭐
Written by
Chris JonesPassionate about all things film, I have spent my life watching movies, making movies and helping others make their movies too. Most recently I have been directing Splinter Unit on 'Mission: Impossible Dead Reckoning', parts 1 and 2 for Paramount. I also executive-produced 'The Enfield Poltergeist' for Apple TV+. Deeper into my past, my early major projects include action thriller 'The Runner', serial killer thriller 'White Angel' and paranormal horror 'Urban Ghost Story'. I co-created and authored The Guerilla Film Makers Handbook series, published by Bloomsbury. There are now eight books in the series. More recently I have run a series of London-based festivals, kicking off with the London Screenwriters Festival which attracts over 1,000 professional screenwriters from around the globe annually. I also set up and run TEDxEaling, an annual TEDx conference on storytelling and human communication. In 2009, I made the multi-award-winning and Oscar-shortlisted 'Gone Fishing', the whole process being heavily documented on my blog. In 2014 I completed my fourth feature film, the crowd-created 50 Kisses which entered the Guinness Book Of Records for most screenwriters on a feature film. Following this success, I founded Create50 to continue the idea of crowd-created projects. Twisted50, our first book, was published on Halloween 2016 and immediately toppled Stephen King from the top spot on Amazon. Five books have followed in the Twisted50 series and we are working on the sixth now. During the summer of 2016 I trained to become a master Firewalk instructor and now regularly take people across the hot coals for charity. Late 2017 I directed the short film 'Seeing Him' which collected a ton of awards too. Over the following years I continued to make award-winning shorts, such as Meet The Nativity and Never Too Late. In the summer of 2022 I premiered Impact 50, the second feature-length movie from Create50. This time I directed the segment at the start of the film, with Olivia Williams as the President, and written by Joe Eszterhas. In the summer of 2022, I also joined the Mission: Impossible 7 and 8 productions as Splinter Unit director. At Halloween 2023, the Apple TV+ show that I co-executive-produced, 'The Enfield Poltergeist', premiered. I run regular filmmaking workshops for filmmakers both online and in person. Some people ask how I began making films? Like most filmmakers of my generation, it was with a Super 8mm camera, summertime and school friends, usually after watching a behind-the-scenes TV programme on a Hollywood movie like Star Wars. My first film was a zombie horror called Necronomicon, heavily influenced by John Carpenter's The Fog. And I was hooked for life. Contact me at Ealing Film Studios, Ealing Green, London, W5 5EP, UK




