
Podcast Ep 007… Inside Twisted Minds: A Deep Dive into Horror Writing
10 March 2025 · 3 min read
Meet Lewis Rice, Paul Shearer and James Burns, with Chris Jones and Kate Bemis
Horror writing isn’t just about throwing some blood and guts on the page – it’s about diving deep into the darkest corners of your mind and seeing what creepy creatures crawl out. That’s exactly what the folks on the Twisted 50 Volume 3 podcast showed us when they got together to chat about their spine-chilling anthology.
The podcast brought together quite the crew – you had Chris Jones hosting, Kate Bemis wearing her editor hat, and three authors (James, Paul, and Lewis) who weren’t afraid to get their hands dirty in the horror genre. Kate kicked things off by admitting she had to wade through 150 stories, which is enough to make anyone’s eyes cross! She joked about needing her glasses, but you could tell she was totally up for the challenge.
Things got really interesting when the authors started spilling the beans about their stories. Paul dove into his tale about a serial killer (because who doesn’t love a good murder story, right?), while James took us on a twisted journey through the mind of a psychopath on a date – talk about dinner conversation! Lewis brought something different to the table with his zombie apocalypse story, which actually came from a pretty personal place dealing with depression. It’s pretty amazing how writers can take their dark experiences and turn them into something creative.
The whole gang got really deep when they started talking about where they get their inspiration from. It turns out writing horror can be kind of therapeutic – who knew? Lewis really opened up about how feeling out of control in his own life led to his zombie story, saying “I felt I had no control over my own self and the whole outside world is controlling me.” That’s the kind of raw honesty that makes horror stories hit home.
One of the coolest things about Twisted 50 is how they handle feedback. Instead of the usual “this is great” or “this sucks,” they’ve got this whole community vibe going on where writers help each other out. James mentioned how easy it is to get lost in your own story and how having fresh eyes on your work can be a game-changer. The editing process sounds more like a writing workshop than a scary editorial chopping block.
The conversation took an exciting turn when they started talking about possibly turning some of these stories into movies. I mean, who wouldn’t want to see these twisted tales on the big screen? Paul was practically bouncing off the walls with excitement about the film potential, and honestly, a horror anthology film sounds pretty sweet.
The cherry on top was all the advice they dished out for aspiring horror writers. Kate dropped this gem: “The less you care, the better the writing almost always is.” It’s like she’s telling us to stop overthinking and just let our inner Stephen King run wild. They wrapped everything up by inviting writers to submit to Volume 4, basically saying “come on in, the water’s bloody… I mean, fine!”
For anyone thinking about dipping their toes into horror writing, this podcast showed that it’s not just about scaring people – it’s about finding your voice, sharing your darkness, and maybe making some friends who are just as twisted as you are. Whether you’re writing about zombies, psychopaths, or things that go bump in the night, there’s room for everyone in this creepy little corner of the literary world.
Written by
Chris JonesPassionate about all things film, I have spent my life watching movies, making movies and helping others make their movies too. Most recently I have been directing Splinter Unit on 'Mission: Impossible Dead Reckoning', parts 1 and 2 for Paramount. I also executive-produced 'The Enfield Poltergeist' for Apple TV+. Deeper into my past, my early major projects include action thriller 'The Runner', serial killer thriller 'White Angel' and paranormal horror 'Urban Ghost Story'. I co-created and authored The Guerilla Film Makers Handbook series, published by Bloomsbury. There are now eight books in the series. More recently I have run a series of London-based festivals, kicking off with the London Screenwriters Festival which attracts over 1,000 professional screenwriters from around the globe annually. I also set up and run TEDxEaling, an annual TEDx conference on storytelling and human communication. In 2009, I made the multi-award-winning and Oscar-shortlisted 'Gone Fishing', the whole process being heavily documented on my blog. In 2014 I completed my fourth feature film, the crowd-created 50 Kisses which entered the Guinness Book Of Records for most screenwriters on a feature film. Following this success, I founded Create50 to continue the idea of crowd-created projects. Twisted50, our first book, was published on Halloween 2016 and immediately toppled Stephen King from the top spot on Amazon. Five books have followed in the Twisted50 series and we are working on the sixth now. During the summer of 2016 I trained to become a master Firewalk instructor and now regularly take people across the hot coals for charity. Late 2017 I directed the short film 'Seeing Him' which collected a ton of awards too. Over the following years I continued to make award-winning shorts, such as Meet The Nativity and Never Too Late. In the summer of 2022 I premiered Impact 50, the second feature-length movie from Create50. This time I directed the segment at the start of the film, with Olivia Williams as the President, and written by Joe Eszterhas. In the summer of 2022, I also joined the Mission: Impossible 7 and 8 productions as Splinter Unit director. At Halloween 2023, the Apple TV+ show that I co-executive-produced, 'The Enfield Poltergeist', premiered. I run regular filmmaking workshops for filmmakers both online and in person. Some people ask how I began making films? Like most filmmakers of my generation, it was with a Super 8mm camera, summertime and school friends, usually after watching a behind-the-scenes TV programme on a Hollywood movie like Star Wars. My first film was a zombie horror called Necronomicon, heavily influenced by John Carpenter's The Fog. And I was hooked for life. Contact me at Ealing Film Studios, Ealing Green, London, W5 5EP, UK




