
What did the audience think at the online premiere of Impact50?
27 June 2022 · 5 min read
Last Saturday we hosted the private online premiere of Impact50… At first I thought turnout was low as the softeware reported only 35 people were watching. That turned out to be 35 people who were logged into their accounts on YouTube at the time! When we got the numbers back from Youtube we discoved 2,400 people actually watched. AMAZING!
I took some feedback direct from the WhatsApp chat and also asked for people to share and here’s some I got back…
‘It’s a triumph! Tears and laughter. I need a cuppa to process it all. And I really needed those moments of joy – the wonderful old couple, the dancing officers – for a break from the sobbing! Huge congratulations to all the team.’
Vicky Ellis
Many stories, interwoven in a well-crafted way. I wondered if being unable to follow any one character’s story closely would dilute the emotional effect, but it in fact does the opposite. The multiple threads & viewpoints conjure up a picture of a whole world, ending. A moving experience and one that will stay with me for a long while.
Denise G
‘A great range of worlds, stories and characters, some terrific creativity on display. We loved the diversity of people and locations, a film by and for people worldwide and there was some excellent cinematography too. The edit was terrific. The way you interwove the different stories kept us engaged and drove the action on. Adding in familiar sounds (like helicopters and fast jets) to the different stories helped to reinforce that continuity and momentum.’
Anthony Etherington
‘Wow. Just Wow!!!! Just stopped wiping my tears. What an experience. It was wonderful to see work that I had read as scripts or seen early test footage for now in their final form. And it was wonderful. The Create50 team has done an amazing job weaving this films and images into an emotional rollercoaster that really flowed. WELL DONE!!! And to the writers, crew and actors. What a great job. Most of the work was in close and personal with deep emotions shifting through it. Nothing to be hidden. And they pulled it off. Soooo impressed.
Rachael Howard
Bravo all. Was great. Loved the variety of the stories, characters and locations. Hope you’re all super proud of yourselves!
Alison H
Congratulations everyone for this great achievement. Had a pleasure watching the film for the second time 😘 have a good night and hope you don’t see any nightmares about the end of the world )
Enni Red
Powerful editing beautifully entwines the stories and the individual characters reactions to the end of their lives into a moving and shared experience.
David Ian Hardwick – Executive Producer
Best wishes and big hugs to all for a fantastic achievement, and especially to Chris and the whole Create 50 team for making such a fab opportunity available.
Michael van Koetsveld
‘Thanks to you and all the creators of this wonderful film! It’s amazing how timely is the moment of it’s release. Right now, when thousands of innocent people are dying, cultural heritage is being destroyed, when for many people every minute can be the last in their lives, “The Impact” is very relevant. I perceived this film as a call to humanity: “Take care of every minute of life, take care of each other, take care of our planet Earth!”. Thank you for the strong emotions, for giving us the opportunity to look at ourselves from the outside.’
Tatiana, Saint Petersburg, Russia
Great job cutting these together! Loving seeing all the work come together after reading the scripts way back!
Dana Pierre
Wonderful stuff, love and congratulations to all involved, and huge thanks to Chris and the core team that made this happen.
Liz Holiday
Well done to everyone involved! seriously fine work!!
Adie
Impact 50 was so thought provoking- it left me wondering what I would do in my final hours on the earth! It wasn’t sure how it was going to work with so many people contributing parts to a film but it was cleverly put together.
Alison
Our planet does face challenges with climate change and there’s always the threat of nuclear war. People need to do better. This film showed that the loss of mankind would be a real tragedy. It showed us that people can be better, with so many of these final acts, acts of love.
I really enjoyed the film and found a lot of the story very emotional, though this was balanced with lighter moments. We all face the prospect of death, of ourselves and our loved ones, but it’s particularly tragic to accept the loss of life in our young so the storylines involving parents facing this while protecting their children from this knowledge were poignant, like the father throwing the last party for his daughters. Or the rocket film. I loved the line where the father tells the boy it’s just the engines starting.
In fact, the films showed, when faced with disaster, it was these final little acts of kindness that showed our humanity. Another was the sheep farmer who hasn’t replaced the radio batteries. I’m not a hundred per cent sure but think he removed them so that his wife would be spared the catastrophic news. The nurse of Ebola patients also stood out. As did the rugby guys who helped the patient. The story of the 150 year old school illustrated just how insignificant mankind is in the great scheme of things and it was tragic to realise all that knowledge and culture developed over centuries could be simply wiped out. The pianist echoed that too.
Harriet Barbir
Written by
Chris JonesPassionate about all things film, I have spent my life watching movies, making movies and helping others make their movies too. Most recently I have been directing Splinter Unit on 'Mission: Impossible Dead Reckoning', parts 1 and 2 for Paramount. I also executive-produced 'The Enfield Poltergeist' for Apple TV+. Deeper into my past, my early major projects include action thriller 'The Runner', serial killer thriller 'White Angel' and paranormal horror 'Urban Ghost Story'. I co-created and authored The Guerilla Film Makers Handbook series, published by Bloomsbury. There are now eight books in the series. More recently I have run a series of London-based festivals, kicking off with the London Screenwriters Festival which attracts over 1,000 professional screenwriters from around the globe annually. I also set up and run TEDxEaling, an annual TEDx conference on storytelling and human communication. In 2009, I made the multi-award-winning and Oscar-shortlisted 'Gone Fishing', the whole process being heavily documented on my blog. In 2014 I completed my fourth feature film, the crowd-created 50 Kisses which entered the Guinness Book Of Records for most screenwriters on a feature film. Following this success, I founded Create50 to continue the idea of crowd-created projects. Twisted50, our first book, was published on Halloween 2016 and immediately toppled Stephen King from the top spot on Amazon. Five books have followed in the Twisted50 series and we are working on the sixth now. During the summer of 2016 I trained to become a master Firewalk instructor and now regularly take people across the hot coals for charity. Late 2017 I directed the short film 'Seeing Him' which collected a ton of awards too. Over the following years I continued to make award-winning shorts, such as Meet The Nativity and Never Too Late. In the summer of 2022 I premiered Impact 50, the second feature-length movie from Create50. This time I directed the segment at the start of the film, with Olivia Williams as the President, and written by Joe Eszterhas. In the summer of 2022, I also joined the Mission: Impossible 7 and 8 productions as Splinter Unit director. At Halloween 2023, the Apple TV+ show that I co-executive-produced, 'The Enfield Poltergeist', premiered. I run regular filmmaking workshops for filmmakers both online and in person. Some people ask how I began making films? Like most filmmakers of my generation, it was with a Super 8mm camera, summertime and school friends, usually after watching a behind-the-scenes TV programme on a Hollywood movie like Star Wars. My first film was a zombie horror called Necronomicon, heavily influenced by John Carpenter's The Fog. And I was hooked for life. Contact me at Ealing Film Studios, Ealing Green, London, W5 5EP, UK