
First Facebook Feedback from The Impact Premiere
2 June 2022 · 7 min read
So it happened. Impact50 was premiered and what a night. I will write more in the coming days, share more, including reviews and photos, bur for now I thought I would hare a few of the Facebook updates I was tagged in…
And in a day or so I will release info about the Online premiere on June 25th.
Phew. Unforgettable! Here they are…

From Cera Rose Pickering…
Last night was an emotional whirlwind of joy, love and gratitude ❤️ I finally got to see The Impact on the big screen and the results far exceeded my expectations!
There is SO much talent in this film, not just in the acting, but in the writing, direction, editing, production design, music, hair & makeup and costumes. Together, we’ve made something incredibly unique, quirky and special, and we should all be extremely proud ✨️ Special snaps go out to my team – Laurel, Graham, Darcy, Lilly, Helen, Louise, Panayiota and Zeb – who were all able to join me last night along with my wonderful family, Helene, Martin, Jon & Lucas.
I also feel incredibly privileged to have been awarded The Kim Wheeler Emotional Impact Award for my section of the movie ‘Daddy’s Fort’ ( 🙌🏻🎉🏆) which has extra special meaning as the award is named after my late friend Kim L. Wheeler ❤️ Of course,
I can’t post about last night without mentioning our fearless leader, Chris Jones, who has worker tirelessly to bring this project to life. Without his strength of vision, persistence and commitment, this movie would not exist. So, forever and always, thank you, thank you, thank you! ⭐️🎬🎉👏🏻 @impact50film #theimpact #theimpactfilm #impact50 #redcarpetmoments #londonpremiere #grateful #dreamsdocometrue #onwardsandupwards x

From Dee Chilton
A night that had everything from laughter to tears, especially when remembering those who are no longer with us in body, but are very much so in mind and spirit. 💖
It was/is indeed very special – both the event and the film project. I was chuffed to see Cera recive her award, named after our mutual dear friend Kim L. Wheeler, who also received a well deserved posthumous award herself for her fab segment of the feature length film. 💕
It was an epic night for us all, seeing our joint project completed and finally up there on the big screen. For me to share that with so many fellow creatives was special – and say hello in person after so long not being able to (I think that was about as much time as most of us got on the night haha). But it was also extra-special was to have so many of my family and friends there to share that experience with me. 🥰

From Mark Hampton
Great evening watching The Impact in a packed cinema, a full eight years after the idea was conceived by Chris Jones.
Wonderful to catch up with old friends and meet new ones face to face!
Fantastic writing, filmmaking and performances, and my segment “Life’s A Beach” looked great on the big screen and got a laugh in the right place too!

From Ben Marshall
What an incredible night at The Impact50 premiere. Still stunned to have received the FINAL DRAFT Meteor Award for Best Produced Screenplay for Rock. Paper. Scissors!
That is an actual meteorite (just wow!). Immensely proud too that School’s Out, which I wrote the script for and was filmed primarily by students won awards for directing and music (well done Mr Skinner!). I’m not a big one for social media – for me, sometimes the thrill of receiving cool news is tinged with the pressure to share and shout about it. But I want and need to shout out a heartfelt THANK YOU. To Chris Jones and the whole team.
Much has been written already about how the vision and ambition of The Impact50 and Create50 as a whole has helped develop and push the paths of so many and given voice and opportunity. For me a journey as epic and evolving as the meteorite which was once in outer space and now on my shelf in Sheffield. For many of us, a shot of creative adrenaline and kudos. A step outside our day to day. Though of course my Dad sums up an outsider’s view – “Brilliant son, the BBC will be banging at your door now”. (insert sigh) No Dad, not quite, but a much needed confidence boost.
As for the movie, honestly, kind of still processing it. Afterwards there was a genuine buzz (if not relief) – it really does work. It really is one of a kind. The phrase MUST SEE film is over-used, but this feels like one. Forget structure, arcs and genre. The creativity and devotion to each small part is palpable and makes for a movie whole which slaps all the senses. We spent the journey home discussing just what we each saw in it. We debated our favourites. So around 8 years since submitting my first Impact script and holding my breath for feedback the Impact experience feels complete. Time now for all involved to stand back and be proud. And, again, THANK YOU! — with Chris Jones.

From Milethia Thomas
On May 31st, people gathered at the Genesis Cinema to celebrate the premiere of The Impact feature film. The film showcases work from the imaginings of many creative minds. With the indomitable Chris Jones at the helm, it was a brilliant night as we all witnessed a unique and diverse film unfold on the big screen. Crikey! One minute feeling worried, the next tearful – and then laughter. Congratulations to all the filmmaking teams. The film is unique in its delivery, and memorable – Chris Jones, thank you! It was an emotional moment to find out that James Amos Dewhurst, very sadly no longer here, had been awarded best performance for his role as Francis; Kathryn Dewhurst and children Ali and Steven were there to accept his award. So proud. Congratulations
to Ed Swales for his best cinematography award – beautiful work on the film. Hugh Mann Adamson, Waqar Shah, Jay Fisher (Apple Rabbits) – the film looked and sounded wonderful on the big screen. Forever grateful that you all agreed to come on board. An evening with fabulous people – Kilburn State, my sister, who is always there to champion and support me; Janie Caldbeck, my constant partner-in-crime, and the fabulous Sheli Barr and Steve (you should see them Lindy Hop!) who came down to London for the premiere. Missed you, Robin Ying and Bram – we’ll watch the online together. Tinged with sadness, we also, on this night, remembered those we have lost who have been involved in The Impact. The film is a permanent record of their excellence. Never-to-be-forgotten.

From Angela Dixon
50 Writers, 50 Filmakers ONE Picture #Impact50
What a phenomenal achievement. 50 interwoven stories from around the world charting the last 97 minutes of our lives before an asteroid wipes out our planet earth.
Deeply moving, funny and life provoking … I walked out of the cinema seeing through fresh eyes.
What would you do? Who would you want to spend those precious minutes with?
Honoured to be a small part of it. Congratulations to Chris Jones #LivingSpiritGroup for making the impossible happen and every body involved including the fabulous Dee Chilton Natasha Marburger Daphne Alexander Ben Mole Mark Hampton David Nicholas Wilkinson and many many more ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️
#film #filmakers #featurefilm #guerillafilmmakers #guerillafilmmaking #guerillafilm #directors #actors #writers #actress #actorlife #redcarpet #cinema #genisiscinema@

From Nicole Robb
Had an incredible night in London celebrating the world premier of a collaborative film that I was lucky enough to be a part of. Many thanks to Chris Jones and the entire #Create50 team for the hard work, dedication, and for the world record award that I will cherish forever.
Written by
Chris JonesPassionate about all things film, I have spent my life watching movies, making movies and helping others make their movies too. Most recently I have been directing Splinter Unit on 'Mission: Impossible Dead Reckoning', parts 1 and 2 for Paramount. I also executive-produced 'The Enfield Poltergeist' for Apple TV+. Deeper into my past, my early major projects include action thriller 'The Runner', serial killer thriller 'White Angel' and paranormal horror 'Urban Ghost Story'. I co-created and authored The Guerilla Film Makers Handbook series, published by Bloomsbury. There are now eight books in the series. More recently I have run a series of London-based festivals, kicking off with the London Screenwriters Festival which attracts over 1,000 professional screenwriters from around the globe annually. I also set up and run TEDxEaling, an annual TEDx conference on storytelling and human communication. In 2009, I made the multi-award-winning and Oscar-shortlisted 'Gone Fishing', the whole process being heavily documented on my blog. In 2014 I completed my fourth feature film, the crowd-created 50 Kisses which entered the Guinness Book Of Records for most screenwriters on a feature film. Following this success, I founded Create50 to continue the idea of crowd-created projects. Twisted50, our first book, was published on Halloween 2016 and immediately toppled Stephen King from the top spot on Amazon. Five books have followed in the Twisted50 series and we are working on the sixth now. During the summer of 2016 I trained to become a master Firewalk instructor and now regularly take people across the hot coals for charity. Late 2017 I directed the short film 'Seeing Him' which collected a ton of awards too. Over the following years I continued to make award-winning shorts, such as Meet The Nativity and Never Too Late. In the summer of 2022 I premiered Impact 50, the second feature-length movie from Create50. This time I directed the segment at the start of the film, with Olivia Williams as the President, and written by Joe Eszterhas. In the summer of 2022, I also joined the Mission: Impossible 7 and 8 productions as Splinter Unit director. At Halloween 2023, the Apple TV+ show that I co-executive-produced, 'The Enfield Poltergeist', premiered. I run regular filmmaking workshops for filmmakers both online and in person. Some people ask how I began making films? Like most filmmakers of my generation, it was with a Super 8mm camera, summertime and school friends, usually after watching a behind-the-scenes TV programme on a Hollywood movie like Star Wars. My first film was a zombie horror called Necronomicon, heavily influenced by John Carpenter's The Fog. And I was hooked for life. Contact me at Ealing Film Studios, Ealing Green, London, W5 5EP, UK




