
How LondonSWF changed my life and career and why I am coming all the way from Australia again by Sally Pitts
22 July 2026 · 4 min read
I was fresh off the boat from Australia, when I came across the London Screenwriters’ Festival.
It was already 97% sold out. I didn’t have a job yet and with the Aussie dollar being a bit meh I was a little apprehensive about spending the dough…
BUT, this is what I’d come to London for – writing opportunities.
I’d finished my screenwriting course and moved to the other side of the pond, naively thinking I could work part-time and write part-time. Hahaha, well if I wanted to eat, I’d have to work full-time in London. Anyway I digress (as I tend to do).
I took a chance. I bought a ticket. And boy, am I glad I did!
My first LSF was so amazing. Apart from the incredible array of sessions during the festival, the chance to jump in and pitch plus the networking opportunities, I met writers who remain my close friends today. We support each other through our writing journeys- the set backs and the triumphs.
After the festival I was truly inspired. I’d started my writing journey in the UK.
In 2014 I attended the festival again. This time I wanted to focus more on the business aspects. I’d managed to get into a writing routine but I wasn’t putting myself ‘out there.’
However what I didn’t understand was that I was struggling with the notion that I could actually be a writer. The fact that I was writing already made me a writer (even though I wasn’t being paid). Side note- if you write consistently, you’re a writer. Getting paid doesn’t make you a writer.
Then I had a soul shaking epiphany during one of Chris’ sessions- I realised I’d listened to so many people tell me over the years I wasn’t good enough – that I believed them.
I was the one holding myself back – I didn’t think I could ever truly be a writer! This moment completely changed how I saw my dreams and what I was capable of.
Obviously the session didn’t cure my feelings of inadequacy completely. But I’ve learnt to jump in and feel the fear anyway!
Because at the end of the day there will always be critics. ALWAYS.
But the truly important thing is that if you want to write, you will. And you will want to write consistently. However if you don’t want to write almost every day, I really believe you should question if you want to write at all. Because it shouldn’t be a chore – it may not always be easy, but it should never be begrudged.
Writing should enrich your life.
Writing sure enhanced my life in the UK – it helped me through my bouts of homesickness, enabled me to share my crazy travel stories and allowed me to really begin to find my voice in this world.
I’ve since returned home (after the Queen kicked me out). And I’ve continued on my writer’s path – learning, reading, watching, submitting for grants and festivals, working with my wonderful mentor Hayley McKenzie and most importantly – WRITING.
Inch by inch I see myself progress as a writer, whether it’s through successful funding applications, making finals in writing comps or just when I show writing buddies my latest work.
However it’s not all sunshine and rainbows…
Until recently I thought I’d ‘make it’ when I got something produced. Which would mean that I couldn’t be happy until that time. So with every rejection I felt my heart break a little more. I questioned if I still wanted to be a writer. Could I continue if I never made it?
Of course I could. Did I think I was the only one who had ever been rejected!?
So I changed my mindset – I didn’t continue writing to prove myself. I continued writing for the pure joy I get from it. I continued because there’s absolutely nothing else I’d rather spend my life doing.
I made a professional commitment after LSF 2014. That I’d act like I was already a writer. Because you know what – I am. And this year when 2016 LSF rolls around I have no idea what I’ll learn.
But I do know that I’m super excited to return for more – MORE pitching, MORE sessions, MORE networking, MORE FUN.
As I type this article I can’t help but smile. I look at how far I’ve come in just a couple of years and I know my writing journey would’ve been so different if I hadn’t taken that chance and bought that golden ticket back in 2013.
It reminds me to always take a chance. Always.
Sally Pitts
Screenwriter
Sally studied acting at the Actors Workshop in Brisbane in 2004/05 where she graduated with an Advanced Diploma of Film, TV and Theatre. With an early passion for wanting to see females portrayed on screen in more diverse roles she started writing short films for herself to act in. This led to the creation of 4 short films, which have screened at various festivals. She decided to concentrate her energy on writing and studied at RMIT, graduating in 2012 with an Advanced Diploma of Professional Screenwriting. Since then she has traveled, worked in the UK for 2 years and continued to pursue her writing career.
Written by
Chris JonesPassionate about all things film, I have spent my life watching movies, making movies and helping others make their movies too. Most recently I have been directing Splinter Unit on 'Mission: Impossible Dead Reckoning', parts 1 and 2 for Paramount. I also executive-produced 'The Enfield Poltergeist' for Apple TV+. Deeper into my past, my early major projects include action thriller 'The Runner', serial killer thriller 'White Angel' and paranormal horror 'Urban Ghost Story'. I co-created and authored The Guerilla Film Makers Handbook series, published by Bloomsbury. There are now eight books in the series. More recently I have run a series of London-based festivals, kicking off with the London Screenwriters Festival which attracts over 1,000 professional screenwriters from around the globe annually. I also set up and run TEDxEaling, an annual TEDx conference on storytelling and human communication. In 2009, I made the multi-award-winning and Oscar-shortlisted 'Gone Fishing', the whole process being heavily documented on my blog. In 2014 I completed my fourth feature film, the crowd-created 50 Kisses which entered the Guinness Book Of Records for most screenwriters on a feature film. Following this success, I founded Create50 to continue the idea of crowd-created projects. Twisted50, our first book, was published on Halloween 2016 and immediately toppled Stephen King from the top spot on Amazon. Five books have followed in the Twisted50 series and we are working on the sixth now. During the summer of 2016 I trained to become a master Firewalk instructor and now regularly take people across the hot coals for charity. Late 2017 I directed the short film 'Seeing Him' which collected a ton of awards too. Over the following years I continued to make award-winning shorts, such as Meet The Nativity and Never Too Late. In the summer of 2022 I premiered Impact 50, the second feature-length movie from Create50. This time I directed the segment at the start of the film, with Olivia Williams as the President, and written by Joe Eszterhas. In the summer of 2022, I also joined the Mission: Impossible 7 and 8 productions as Splinter Unit director. At Halloween 2023, the Apple TV+ show that I co-executive-produced, 'The Enfield Poltergeist', premiered. I run regular filmmaking workshops for filmmakers both online and in person. Some people ask how I began making films? Like most filmmakers of my generation, it was with a Super 8mm camera, summertime and school friends, usually after watching a behind-the-scenes TV programme on a Hollywood movie like Star Wars. My first film was a zombie horror called Necronomicon, heavily influenced by John Carpenter's The Fog. And I was hooked for life. Contact me at Ealing Film Studios, Ealing Green, London, W5 5EP, UK




