
People like me don’t go to events like LSF by Elkie Yates
22 August 2026 · 4 min read
LSF is a professional event, full of professional writers and the like. People getting paid actual money for scripts, they probably speak using big words and have diaries full of very important meetings. Whereas I’m, I’m a single parent, a teaching assistant, a working class self-taught filmmaker who lives in a council flat with her two kids. And skint, I mean totally skint. I live down South but I’m originally from the North. I left an okay job to go to University and retrain to become a teacher but along the way I got the filmmaking bug and so totally went off the rails. I wanted to work in film when I was a kid, but this was unheard of where I lived – how are you going to pay rent when you’re a filmmaker?
Well, it’s 20 years on and I’m happy to say I’m about to tackle my first feature film.
LSF was a last minute splurge for me. I had no previous intention of attending. The main reason being I was busy saving up to study a degree in Cinematography. LSF was the last thing on my mind.
The evening prior to purchasing an LSF ticket, I had read a post written by a regular attendee. It hit a nerve. ‘Why, as a screenwriter was I not attending this event? How could I not afford to go?’ It turned all my excuses on their heads. I took my money I had saved up so far for University, closed my eyes tightly and bought a ticket. It was 11.30pm at night. A session called ‘Meet the Experts’ was about to close. I thought sod it! I’ve nothing to lose and entered. Shock horror! My entry was accepted!
The next few days I spent rushing around trying to arrange childcare and find accommodation. I managed to book into a youth hostel. That first night at LSF I shared a room with eleven men.
The next day, I left the hostel early and arrived at LSF (via a quick wash in the Regent’s loos!) Everyone was so lovely, not at all as I had imagined. I cannot tell you how great that feeling was to be surrounded by other filmmakers, writers and nutters all as passionate about film as me; it was like finding your ideal family. That morning I practiced my pitch for a psychological thriller feature film I had written called ‘Deluded’. It was my first feature film as a writer and director and I had a hit a huge wall regarding finding funding. No one wants to take a gamble on a first time feature filmmaker with no money. We spent two years chasing this route but to no avail.
Meet the Experts was nerve wracking. The team were brutal but honest. They gave me the advice I had longed to hear – I had to stop pussy footing around and just get on and make the film. I thought we needed to raise XXX amount of pounds and get experienced professionals on-board, meet all the criteria of Creative England etc. I had spent so much time trying to do this that the actual film had been left at the wayside.
Fast-forward a few months and we have just finished shooting the trailer for the film. We plan on raising funds via a crowdfunding campaign. We have scheduled the shoot for this summer and we plan to film it in blocks, this way we can raise funds between filming dates. I’ve taken on a couple of extra part time jobs and I’m scouting the South for free film locations, props and whatever else I can get my hands on. This is where Facebook comes in really handy! We have a new crew now. They’re not as experienced as the last but they’re keen, eager and as passionate about this film as I am.
I myself am really happy. I’m doing what I love best – head down, getting on with it.
For anyone who has hit a brick wall with their film, I recommend you apply for ‘Meet the Experts’ at LSF. It’s tough, but it says that in the panel’s description. I’m glad I went, it was a huge wakeup call and now I’m doing what I love and that is…making my film.
Elkie Yates
P.S. I booked my ticket to LSF EARLY this year…!
Written by
Chris JonesPassionate about all things film, I have spent my life watching movies, making movies and helping others make their movies too. Most recently I have been directing Splinter Unit on 'Mission: Impossible Dead Reckoning', parts 1 and 2 for Paramount. I also executive-produced 'The Enfield Poltergeist' for Apple TV+. Deeper into my past, my early major projects include action thriller 'The Runner', serial killer thriller 'White Angel' and paranormal horror 'Urban Ghost Story'. I co-created and authored The Guerilla Film Makers Handbook series, published by Bloomsbury. There are now eight books in the series. More recently I have run a series of London-based festivals, kicking off with the London Screenwriters Festival which attracts over 1,000 professional screenwriters from around the globe annually. I also set up and run TEDxEaling, an annual TEDx conference on storytelling and human communication. In 2009, I made the multi-award-winning and Oscar-shortlisted 'Gone Fishing', the whole process being heavily documented on my blog. In 2014 I completed my fourth feature film, the crowd-created 50 Kisses which entered the Guinness Book Of Records for most screenwriters on a feature film. Following this success, I founded Create50 to continue the idea of crowd-created projects. Twisted50, our first book, was published on Halloween 2016 and immediately toppled Stephen King from the top spot on Amazon. Five books have followed in the Twisted50 series and we are working on the sixth now. During the summer of 2016 I trained to become a master Firewalk instructor and now regularly take people across the hot coals for charity. Late 2017 I directed the short film 'Seeing Him' which collected a ton of awards too. Over the following years I continued to make award-winning shorts, such as Meet The Nativity and Never Too Late. In the summer of 2022 I premiered Impact 50, the second feature-length movie from Create50. This time I directed the segment at the start of the film, with Olivia Williams as the President, and written by Joe Eszterhas. In the summer of 2022, I also joined the Mission: Impossible 7 and 8 productions as Splinter Unit director. At Halloween 2023, the Apple TV+ show that I co-executive-produced, 'The Enfield Poltergeist', premiered. I run regular filmmaking workshops for filmmakers both online and in person. Some people ask how I began making films? Like most filmmakers of my generation, it was with a Super 8mm camera, summertime and school friends, usually after watching a behind-the-scenes TV programme on a Hollywood movie like Star Wars. My first film was a zombie horror called Necronomicon, heavily influenced by John Carpenter's The Fog. And I was hooked for life. Contact me at Ealing Film Studios, Ealing Green, London, W5 5EP, UK




