
Impact50… The Premiere and Beyond…
4 June 2022 · 1 min read
The Impact was finally premiered on May 31st and what an evening it was! For me it was a personal milestone as I finally moved this mammoth project across the finish line. Eight years in the making, with thousands of people involved.
It’s not really the end of course, we have an online only premiere planned for June 25th (tickets are free or you can offer a donation) and then there is the festival run too. And I will need to do a re-cut for festivals as currently it’s just too long and will get rejected by most on that factor alone.
The awards were a highlight of course, as was finally seeing the film on the BIG screen, with that BBFC certificate at the head.
There are photos from the read carpet HERE.
The announcement of the Winners HERE.
Photos from the Awards HERE
Photos from signing the poster HERE.
Photos from the main event HERE

On a personal note I was really moved when out of the blue, Cera Rose Pickering presented me with a framed picture with a quote (below). I did shed a momentary tear. So thank you to Cera and Milethia and everyone else who made that happen.
Right, I now have my day job (if you were there you know), and we also need to get moving on the online premiere on June 25th and the festival push (and recut to gte it under two hours).
AMAZING!
Onwards and upwards!
Chris Jones
www.Impact50film.com
Written by
Chris JonesPassionate about all things film, I have spent my life watching movies, making movies and helping others make their movies too. Most recently I have been directing Splinter Unit on 'Mission: Impossible Dead Reckoning', parts 1 and 2 for Paramount. I also executive-produced 'The Enfield Poltergeist' for Apple TV+. Deeper into my past, my early major projects include action thriller 'The Runner', serial killer thriller 'White Angel' and paranormal horror 'Urban Ghost Story'. I co-created and authored The Guerilla Film Makers Handbook series, published by Bloomsbury. There are now eight books in the series. More recently I have run a series of London-based festivals, kicking off with the London Screenwriters Festival which attracts over 1,000 professional screenwriters from around the globe annually. I also set up and run TEDxEaling, an annual TEDx conference on storytelling and human communication. In 2009, I made the multi-award-winning and Oscar-shortlisted 'Gone Fishing', the whole process being heavily documented on my blog. In 2014 I completed my fourth feature film, the crowd-created 50 Kisses which entered the Guinness Book Of Records for most screenwriters on a feature film. Following this success, I founded Create50 to continue the idea of crowd-created projects. Twisted50, our first book, was published on Halloween 2016 and immediately toppled Stephen King from the top spot on Amazon. Five books have followed in the Twisted50 series and we are working on the sixth now. During the summer of 2016 I trained to become a master Firewalk instructor and now regularly take people across the hot coals for charity. Late 2017 I directed the short film 'Seeing Him' which collected a ton of awards too. Over the following years I continued to make award-winning shorts, such as Meet The Nativity and Never Too Late. In the summer of 2022 I premiered Impact 50, the second feature-length movie from Create50. This time I directed the segment at the start of the film, with Olivia Williams as the President, and written by Joe Eszterhas. In the summer of 2022, I also joined the Mission: Impossible 7 and 8 productions as Splinter Unit director. At Halloween 2023, the Apple TV+ show that I co-executive-produced, 'The Enfield Poltergeist', premiered. I run regular filmmaking workshops for filmmakers both online and in person. Some people ask how I began making films? Like most filmmakers of my generation, it was with a Super 8mm camera, summertime and school friends, usually after watching a behind-the-scenes TV programme on a Hollywood movie like Star Wars. My first film was a zombie horror called Necronomicon, heavily influenced by John Carpenter's The Fog. And I was hooked for life. Contact me at Ealing Film Studios, Ealing Green, London, W5 5EP, UK




